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	<title>Comments for Ginger and Honey</title>
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	<link>http://gingerandhoney.com</link>
	<description>Vocal Remedies</description>
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		<title>Comment on Rainsong by JD</title>
		<link>http://gingerandhoney.com/2010/01/18/rainsong/comment-page-1/#comment-164</link>
		<dc:creator>JD</dc:creator>
		<pubDate>Sun, 07 Mar 2010 20:53:04 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=258#comment-164</guid>
		<description>I like what you do.</description>
		<content:encoded><![CDATA[<p>I like what you do.</p>
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		<title>Comment on Muzzle by Stef</title>
		<link>http://gingerandhoney.com/2010/03/04/muzzle/comment-page-1/#comment-162</link>
		<dc:creator>Stef</dc:creator>
		<pubDate>Fri, 05 Mar 2010 01:22:32 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=287#comment-162</guid>
		<description>There is more to magical realist fiction than that which I&#039;ve mentioned here, but some kind of simplification was necessary or I&#039;d spend all day writing about what magical realist fiction was or wasn&#039;t and not getting to the point. 

I don&#039;t think we disagree on much, honestly. The point is vigilance. The slippery slope is precisely the problem and it&#039;s that which I fear. It&#039;s clumsy and it&#039;s quick and it lurches out of control so easily. I fear for the fact that all an artist needs to do (Bill Henson is the typical example although I was hoping to avoid the clichés, since most people already have their minds made up on those topics, and I wanted to approach the issue from another angle) is accidentally say the wrong thing or legitimately attempt to explore the wrong topic (child or adolescent sexuality, for example) and they can become the target of excessive public vitriol within minutes, seemingly regardless of the sensitivity with which they treat their work, or its subjects, or even its contention. Government action feeds off community hysteria, which is rising, and hard conservatism which, by its very nature, is more organised and zealous than libertarianism.

The point is that if we &lt;em&gt;don&#039;t&lt;/em&gt; speak about these things they will become unspeakable. Australia already has some of the most restrictive censorship laws in the world, and the government has no problem adding more. Remember JH&#039;s sedition laws? The brouhaha in Adelaide over accountability of comment? They&#039;re introducing an internet filter for Christ&#039;s sake. The fact is, the tools are there for them to use. We have been lucky so far in that government has bungled most opportunities to use them in the public eye. We won&#039;t always be so lucky.</description>
		<content:encoded><![CDATA[<p>There is more to magical realist fiction than that which I&#8217;ve mentioned here, but some kind of simplification was necessary or I&#8217;d spend all day writing about what magical realist fiction was or wasn&#8217;t and not getting to the point. </p>
<p>I don&#8217;t think we disagree on much, honestly. The point is vigilance. The slippery slope is precisely the problem and it&#8217;s that which I fear. It&#8217;s clumsy and it&#8217;s quick and it lurches out of control so easily. I fear for the fact that all an artist needs to do (Bill Henson is the typical example although I was hoping to avoid the clichés, since most people already have their minds made up on those topics, and I wanted to approach the issue from another angle) is accidentally say the wrong thing or legitimately attempt to explore the wrong topic (child or adolescent sexuality, for example) and they can become the target of excessive public vitriol within minutes, seemingly regardless of the sensitivity with which they treat their work, or its subjects, or even its contention. Government action feeds off community hysteria, which is rising, and hard conservatism which, by its very nature, is more organised and zealous than libertarianism.</p>
<p>The point is that if we <em>don&#8217;t</em> speak about these things they will become unspeakable. Australia already has some of the most restrictive censorship laws in the world, and the government has no problem adding more. Remember JH&#8217;s sedition laws? The brouhaha in Adelaide over accountability of comment? They&#8217;re introducing an internet filter for Christ&#8217;s sake. The fact is, the tools are there for them to use. We have been lucky so far in that government has bungled most opportunities to use them in the public eye. We won&#8217;t always be so lucky.</p>
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		<title>Comment on Muzzle by James Turnbull</title>
		<link>http://gingerandhoney.com/2010/03/04/muzzle/comment-page-1/#comment-161</link>
		<dc:creator>James Turnbull</dc:creator>
		<pubDate>Thu, 04 Mar 2010 19:28:40 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=287#comment-161</guid>
		<description>I&#039;ve always thought some of the best genre fiction was that which overlaid the fantastical over our reality. I doubt most of those genre writers would class themselves as &quot;magic realism&quot;. Hmm is Charles De Lint genre or a magic realist? Or both?

But I digress slightly. 

I tend to both agree and disagree with your premise. Personally, I belong to the &quot;information wants to be free&quot; generation of people.  Yes. censorship is bad, both as a form of social control and as a restriction of creation.  But I feel the real danger with censorship is because it&#039;s a slippery slope.  Censoring ideas fails because ideas are subjective and rarely can language be found that quantifies &quot;this is wrong&quot; and &quot;this is right&quot;.  Hence why classification codes are so ludicrously arbitrary and incoherent.  

I still subjectively feel, however, that some &quot;speech&quot; is bad ... to pull the pin on the cliché ... child pornography is one such form of &quot;speech&quot;.  But my definition of child pornography, the sexual exploitation of children, differs from others in our community who see Bill Henson, fashion labels and parents taking photos of their children in the bath tub as acts that should be censored, if not prosecuted.  So, censorship. Fail.   

There are clearly problems we need to solve ... and &quot;who will think of the children&quot; is one of them ... but censorship appears not to be the control that will do that and the consequences of its use are often unforeseen or unexpected hence it becoming a social or repressive control.  Answers, I have none. *sighs*

As to where I disagree - are we there yet or even close?  I don&#039;t believe so - there are places in the world where bad, bad things happen to people who create ideas that regimes or cultures disapprove of, you just have to read PEN&#039;s reports to see the evil done to writers who do so.  The distance to me between Australia (if by &quot;here&quot; above you mean Australia) is a wide one. People disapprove of some forms of speech here, even hate some forms of speech, but actions against those speakers tends to be ad hoc rather than institutional or organised.  Sometimes those actions against the speakers even tends towards the farcical.  I don&#039;t see any farce in the way countries like Iran and China censor their artists and their citizens.  

Do we have to keep watch and hold a line? Yes.  Has it got to the point where we fear for our lives and liberty by holding that line? I don&#039;t believe so.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve always thought some of the best genre fiction was that which overlaid the fantastical over our reality. I doubt most of those genre writers would class themselves as &#8220;magic realism&#8221;. Hmm is Charles De Lint genre or a magic realist? Or both?</p>
<p>But I digress slightly. </p>
<p>I tend to both agree and disagree with your premise. Personally, I belong to the &#8220;information wants to be free&#8221; generation of people.  Yes. censorship is bad, both as a form of social control and as a restriction of creation.  But I feel the real danger with censorship is because it&#8217;s a slippery slope.  Censoring ideas fails because ideas are subjective and rarely can language be found that quantifies &#8220;this is wrong&#8221; and &#8220;this is right&#8221;.  Hence why classification codes are so ludicrously arbitrary and incoherent.  </p>
<p>I still subjectively feel, however, that some &#8220;speech&#8221; is bad &#8230; to pull the pin on the cliché &#8230; child pornography is one such form of &#8220;speech&#8221;.  But my definition of child pornography, the sexual exploitation of children, differs from others in our community who see Bill Henson, fashion labels and parents taking photos of their children in the bath tub as acts that should be censored, if not prosecuted.  So, censorship. Fail.   </p>
<p>There are clearly problems we need to solve &#8230; and &#8220;who will think of the children&#8221; is one of them &#8230; but censorship appears not to be the control that will do that and the consequences of its use are often unforeseen or unexpected hence it becoming a social or repressive control.  Answers, I have none. *sighs*</p>
<p>As to where I disagree &#8211; are we there yet or even close?  I don&#8217;t believe so &#8211; there are places in the world where bad, bad things happen to people who create ideas that regimes or cultures disapprove of, you just have to read PEN&#8217;s reports to see the evil done to writers who do so.  The distance to me between Australia (if by &#8220;here&#8221; above you mean Australia) is a wide one. People disapprove of some forms of speech here, even hate some forms of speech, but actions against those speakers tends to be ad hoc rather than institutional or organised.  Sometimes those actions against the speakers even tends towards the farcical.  I don&#8217;t see any farce in the way countries like Iran and China censor their artists and their citizens.  </p>
<p>Do we have to keep watch and hold a line? Yes.  Has it got to the point where we fear for our lives and liberty by holding that line? I don&#8217;t believe so.</p>
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		<title>Comment on A Study in the Art of Revolution II by LiteraryMinded</title>
		<link>http://gingerandhoney.com/2010/01/12/a-study-in-the-art-of-revolution-ii/comment-page-1/#comment-146</link>
		<dc:creator>LiteraryMinded</dc:creator>
		<pubDate>Thu, 21 Jan 2010 05:35:31 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=250#comment-146</guid>
		<description>Another amazing post, and I completely relate (though could never have expressed it so well). x</description>
		<content:encoded><![CDATA[<p>Another amazing post, and I completely relate (though could never have expressed it so well). x</p>
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		<title>Comment on Rainsong by Marcus Dowd</title>
		<link>http://gingerandhoney.com/2010/01/18/rainsong/comment-page-1/#comment-116</link>
		<dc:creator>Marcus Dowd</dc:creator>
		<pubDate>Mon, 18 Jan 2010 11:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=258#comment-116</guid>
		<description>Well said. An exquisite description of the elements of nature...</description>
		<content:encoded><![CDATA[<p>Well said. An exquisite description of the elements of nature&#8230;</p>
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		<title>Comment on Obituary for the New Year by STR8RZR</title>
		<link>http://gingerandhoney.com/2010/01/04/obituary-for-the-new-year/comment-page-1/#comment-115</link>
		<dc:creator>STR8RZR</dc:creator>
		<pubDate>Sat, 16 Jan 2010 08:54:30 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=246#comment-115</guid>
		<description>Sorry to hear....</description>
		<content:encoded><![CDATA[<p>Sorry to hear&#8230;.</p>
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		<title>Comment on A Study in the Art of Revolution II by Stef</title>
		<link>http://gingerandhoney.com/2010/01/12/a-study-in-the-art-of-revolution-ii/comment-page-1/#comment-114</link>
		<dc:creator>Stef</dc:creator>
		<pubDate>Wed, 13 Jan 2010 01:35:38 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=250#comment-114</guid>
		<description>@&quot;Joeseph&quot; I think calling feminism sexist is a bit like Andrew Bolt calling scholarships for Aboriginal people racist: making reference to sex (or race) does not make something prejudicial or stereotyping. Feminism is a recognition of oppression/power imbalance that specifically disfavours women, &lt;i&gt;because of&lt;/i&gt; their sex.  &lt;i&gt;This&lt;/i&gt; is where the prejudice lies - the sexism - not in the articulation of a favour towards politics that promote awareness of it and change accordingly.

@Cass You&#039;re a doll. x</description>
		<content:encoded><![CDATA[<p>@&#8221;Joeseph&#8221; I think calling feminism sexist is a bit like Andrew Bolt calling scholarships for Aboriginal people racist: making reference to sex (or race) does not make something prejudicial or stereotyping. Feminism is a recognition of oppression/power imbalance that specifically disfavours women, <i>because of</i> their sex.  <i>This</i> is where the prejudice lies &#8211; the sexism &#8211; not in the articulation of a favour towards politics that promote awareness of it and change accordingly.</p>
<p>@Cass You&#8217;re a doll. x</p>
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		<title>Comment on A Study in the Art of Revolution II by Cass</title>
		<link>http://gingerandhoney.com/2010/01/12/a-study-in-the-art-of-revolution-ii/comment-page-1/#comment-113</link>
		<dc:creator>Cass</dc:creator>
		<pubDate>Wed, 13 Jan 2010 01:25:55 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=250#comment-113</guid>
		<description>Gorgeous writing, Stef. You could be describing me in parts of this post -- the final paragraph, especially, resonates.

I think, from what I know of you, that you&#039;re a wonderful, strong person who won&#039;t be alone because she&#039;s true to herself. And I bet I have more freckles and whiter legs than you! x</description>
		<content:encoded><![CDATA[<p>Gorgeous writing, Stef. You could be describing me in parts of this post &#8212; the final paragraph, especially, resonates.</p>
<p>I think, from what I know of you, that you&#8217;re a wonderful, strong person who won&#8217;t be alone because she&#8217;s true to herself. And I bet I have more freckles and whiter legs than you! x</p>
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		<title>Comment on A Study in the Art of Revolution II by Joeseph King</title>
		<link>http://gingerandhoney.com/2010/01/12/a-study-in-the-art-of-revolution-ii/comment-page-1/#comment-111</link>
		<dc:creator>Joeseph King</dc:creator>
		<pubDate>Tue, 12 Jan 2010 14:47:01 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=250#comment-111</guid>
		<description>Subtext be damned. I accept you as a person of value in my life and, person-a-pault pending, the lifes of the people around me. But feminism is such a sexist term. So. Werd.</description>
		<content:encoded><![CDATA[<p>Subtext be damned. I accept you as a person of value in my life and, person-a-pault pending, the lifes of the people around me. But feminism is such a sexist term. So. Werd.</p>
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		<title>Comment on A Study in the Art of Revolution II by GwynnGwynn</title>
		<link>http://gingerandhoney.com/2010/01/12/a-study-in-the-art-of-revolution-ii/comment-page-1/#comment-107</link>
		<dc:creator>GwynnGwynn</dc:creator>
		<pubDate>Tue, 12 Jan 2010 11:43:50 +0000</pubDate>
		<guid isPermaLink="false">http://gingerandhoney.com/?p=250#comment-107</guid>
		<description>I like you.  teehee.

*lets underlying content and subtext go over her head*</description>
		<content:encoded><![CDATA[<p>I like you.  teehee.</p>
<p>*lets underlying content and subtext go over her head*</p>
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